These are the first batch of tiles that I made and that have lead on to further bodies of work. After numerous ceramic print tests I settled with using decals - transferring my line drawings on to porcelain at 840 degrees in the kiln (a safe temperature for functional tableware). Below illustrates before and after Kiln process.
Catriona M Designs
Glass Coaster/Tile (safety glass from Tamglass, Tampere Finland)
14 Jun 2012
6 May 2012
Ceramic Print Tests.
Sgraffito:
B. Slip mixed with Delft Blue stain and painted onto porcelain tile. Image then scratched into tile.
B2. First of all image scratched into porcelain tile. Scratched image then filled in with Delft Blue Stain using brush. Allowed to dry slightly and then scraped back using a credit card to reveal a sharper image.
B. Clay Bisque
B2. Clay Bisque
B. Slip mixed with Delft Blue stain and painted onto porcelain tile. Image then scratched into tile.
B2. First of all image scratched into porcelain tile. Scratched image then filled in with Delft Blue Stain using brush. Allowed to dry slightly and then scraped back using a credit card to reveal a sharper image.
B. Clay Bisque
B2. Clay Bisque
B. Firing
B2. Firing
2 May 2012
Foraging Research
Just a few of the photos I took after a day of foraging for edible plants in the wild. These photos look better zoomed in on the intricate details but I still feel their form can be equally appreciated at this view.
14 Apr 2012
1 week "Making" project. Outcome 1:
"Making" - Spending a week in the workshop creating 2 outcomes without research or development (A project in order to get in gear for grad work.)
Outcome 1: Salt&Pepper Pinch Pots.
Material: Cork.
29 Dec 2011
Glass Tiles/Tableware
I attended HAMK University, taking full advantage of their fantastic glass facilities, including a week in the famous glass village, Nuutajärvi, where I was taught glass blowing. The images I have displayed are three of many results from experimenting with painted safety glass, from Tamglass in Tampere, Finland, in order to create a tile collection or tableware. Working from images I gathered of natural forms I practised slumping, cutting, sand blasting, fusing, engraving and explored the compatibility of glasses. The reaction this glass formed when being fused with itself created an interesting texture which I chose to interpret as the cells and life within the buds of May. This symbolised the intense postponement of the epic transformation between the long nights and freezing temperatures to the sudden burst of summer weather and release of energy throughout Finland.
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